My “Driven” series is essentially about entropy; it’s the automotive equivalent of “ruin porn”. I’m attracted to the textures of old, beat up cars, the weeds growing up and around the abandoned vehicles, and the left-behind, lonely nature of the cars — once driven and beloved — left to the elements by their owners. [...]

The “Lebanon Valley” series is one of my more personal series because it involves family and memory. When I was a kid, my sister and I were occasionally allowed to go with my cousins and uncles to the races there. One uncle had started racing cars at 16, and worked on a pit crew for a friend’s car. My first camera was a Kodak Instamatic, and I would sit in the stands with my father watching the cars and carefully frame my photos, believing in my naive eight-year-old-heart that my picture was special and it would look like a pro shot of a racing car, not a crappy snapshot with the chain link fence between me and the blurry car. [...]

Photographer Megan Green is known for her spectacular shots of cars and car culture. Recently, Megan sent Gaywheels three sets of her work, which we’ll roll out over the next few Fridays. Here’s a series she calls “Retro”, along with a note from the artist. [...]